Change Management Essay Example | Topics and Well Written Essays - 750 words - 2

Change Management - Essay Example Qatar Airways seeks to increase Qatar Airway’s profit through the initiation of changes and practising effective leadership. It has the most identifiable brands globally with over 80% of the present market share in the aviation industry (O’Connell, 2011). It also offers quality training to its employees globally. In analysing the Qatar Airways, the primary focus will be on McKinsey’s 7S model. The 7S are structure, strategy, style, shared values, system, skills and staff. A strategy is a plan developed to build and sustain competitive advantage. The structure of a firm determines the efficiency in communication. An organisation’s system is the daily activities that members of staff undertake (Rahul & Kainth, 2014). Shared values are the core values of a company present in the general work ethics and corporate culture. The leadership style adopted plus the employees with their general capabilities make up style and staff. Workers’ skills that a company possesses to keep it successful also forms the most crucial part of McKinsey’s 7S model analysis (Kedia & Lahiri, 2007). The model works on the basis of the theory that the seven elements must be united and mutually supporting to realise positive performance in the firm. It can also be used to assist in identifying wh at should be realigned to increase performance. As a strategy, Qatar Airways uses its achievement as the â€Å"Airline of the Year† to advertise itself to the travelers all over the world. It received this title after the voting that took place at the respected Skytrax industry audit (Kedia & Lahiri, 2007). Qatar Airways Inc. has a complex structure. The airline presently operates 110 aircraft and has over 250 aircraft on order.

Criminal Law 2000 word assessment - part 2 Essay

Criminal Law 2000 word assessment - part 2 - Essay Example Kirk says that he tried to sound the car horn so that they would all jump out the way but that the horn failed to work. Advise Kirk in relation to charges of s18 Offences Against the Person Act 1861, with s20 in the alternative. Advise Sally in relation to s20 Offences Against the Person Act 1861 with s47 in the alternative. Do not discuss any other offences. Under the Offences Against the Person Act 1861 assaults are determined by reference to sections 46, 18 and section 20. Prosecutors will assess the level of the charge in accordance with the seriousness of the injuries of the victim as well as the intention of the defendant. The lowest of the charges for assault covered by the OAPA 1861 is a s47 assault. This will be charged in circumstances where the victim sustains actual bodily harm1. Section 47 defines actual bodily harm as any hurt that has been calculated to affect the health or comfort of the victim. Under this heading, there is no requirement for the hurt to be permanent but it has to be more than transient and trifling2. Offences charged under this section are classified as either way offences, which means that the matter can be tried in the Magistrates court or the crown court. The decision for the matter to be referred to the crown court is usually based on whether the prosecution determines that the sentencing powers of t he Magistrates would be inadequate. Cases where a s47 have been charged include incidents where the victim has lost or broken a tooth, has suffered a temporary loss of sensory functions which could include losing consciousness3, has received a broken nose or extensive or multiple bruising. A s47 charge might also be brought for minor fractures and cuts as well as psychiatric injury4. Proof is established applying the test of recklessness5. A higher degree of injury could result in the accused being charged with a s20 assault6. Section 20

Beckett’s Main Themes Essay Example for Free

Beckett’s Main Themes Essay Samuel Beckett explores the purposelessness of life, lack of meaning and memory in Waiting for Godot. Aspects such as repetition, change, recognition, blind faith, silences and pauses illustrated the forgetfulness and purposelessness of the lives of Vladimir and Estragon. ‘Waiting’ is doing both something and nothing simultaneously; Vladimir and Estragon recognize this which is why they are in search for something to ‘do’. VLADIMIR: We are happy. ESTRAGON: We are happy. (Silence.) What do we do now, now that we are happy? VLADIMIR: Wait for Godot. (Estragon groans. Silence.) Things have changed here since yesterday. ESTRAGON: And if he doesnt come? VLADIMIR: (after a moment of bewilderment). Well see when the time comes. (Pause.) Their words are as empty and futile as their actions. There is a silence after they say that they’re â€Å"happy† which makes it apparent that they are just forcing the emotion on to themselves. The silence allows the audience to inquire if they really are happy and if their happiness is of value. Being happy doesn’t provide a function in life; Estragon wants to ‘do’ something now that they were supposedly happy. To ‘do’ something constructive is important to pass the time; the closest they can get to a functional action is to talk to each other. Having a purpose in life is probable to come with the emotion of happiness, since Estragon and Vladimir have convinced themselves to believe they encompass a purpose in life, they require the emotion of happiness to validate it. Rather than just telling Vladimir to ‘do’ something as they were â€Å"happy†, he asks him which is a technique to create conversation. The characters have blind faith in Godot, they don’t know what would happen if he didn’t come. Vladimir is bewildered when he comes to the moment of reality of contemplating that this being true would make their wait purposeless. He doesn’t want to admit that if Godot didn’t come then their long wait would have been for nothing, instead he says â€Å"We’ll see when the time comes†. This is a meaningless statement because if Godot never does come then the time will never come. However, Vladimir shows indication of acknowledging this when he starts talking about ‘change’ which is not only changing the subject but also implying that change in something proves that time is passing and that time will soon come. Moreover, towards the end of the extract when Estragon asks â€Å"What do we do now?† and Vladimir replies â€Å"Wait for Godot†. He ends the sentence there because he doesn’t know what would happen after h e did come and where their lives would lead. They show no reason to wait for Godot which highlights again the purposelessness of their lives. As Vladimir and Estragon are waiting, it is vital for time to pass and the thing to establish this is for things to change. VLADIMIR:†¦I was saying that things have changed here since yesterday. ESTRAGON; Everything oozes. VLADIMIR: Look at the tree ESTRAGON: it’s never the same pus from one second to the next VLADIMIR: The tree, look at the tree. The characters do not really have a conversation which follows in a logical pattern; they often misinterpret each other. Although the two pass their time, they pass it in ‘useless banter’ which is meaningless and gives their life no purpose. Estragon occasionally drifts off with his own thoughts but Vladimir brings him back to his. They both have their own ideas on change, Vladimir refers to the tree to prove that things have â€Å"changed† while Estragon notices ‘pus’ changing, even though they’re in their own individual worlds they both perceive a significance in ‘change’. Change is essential to them because they want assurance they have passed the time, and the only way to do so is to see change in their surroundings; change would also initiate some form of purpose. However, their dialogue in general dwells on their past and present which suggests that they are trapped in their current situation. The tree in the landscape helps illustrate a purpose because it is changing, it has to be changing for a purpose; Vladimir sees it as a sign of hope. There is only one tree rather than lots, this makes the landscape seem dull and gives a boring imagery. It is a symbol of life and contrasts with the bleak lifeless environment it’s in. Recognition comes conjointly with memory which Estragon doesn’t have. Estragon doesn’t find that there is any point in recognizing things. He says â€Å"what is there to recognize?†. Estragon lacks memory which is why he gets frustrated. He distinguishes physical things which he receives like Lucky kicking him and Pozzo giving him a bone. These things make a difference to Estragon which is why he remembers it. He realizes that he had just â€Å"crawled about in the mud† all his life which entails that he only recognizes the purposelessness of his life and the meaning it lacks. It is a commonly established idea that one’s experiences define a person. Vladimir says â€Å"He’s forgotten everything!† with regards to Estragon. Memory is important to them because what they went through yesterday was an accomplishment for them, if they can’t remember it then it is worthless. If Estragon can’t remember then Vladimir has no one to reminisce their achievement with, however reminding Estragon and describing it to him gives them something to talk about and passes the time. Since they both lack memory of most of their experiences, their individuality is unclear. Vladimir tries to compare the difference of their current landscape to the â€Å"Macon country† but Estragon fails to remember it, and derides at the word and states that he spent all his life in their current location, the â€Å"Cackon country†. The sound of the word is harsh and he says it as if it is meaningless to him even though that is where he is ‘Wa iting for Godot’, the place where they are establishing their decided purpose of life. Silences and pauses are uses to transport the meaning to the audience or reader; during the short intervals they realize the meaningless conversation Vladimir and Estragon indulge in. The two begin describing â€Å"All the dead voices† which â€Å"murmur†, â€Å"rustle†, â€Å"whisper† and â€Å"make a noise like feathers†. The silences are disseminated and their dialogues after each of the silences are repetitive which is parallel to their nearly reiterated everyday routine and dialogues. The silent and empty stage is filled with the sound of the ‘dead voices’; viewers are made to imagine the voices as Vladimir and Estragon describe them using similes. The dead voices contribute to the tedious mood of their lives; they argue over trivial things which is parallel to their depressed condition because they are too weak to make it better. The voices reflect the situation of the two characters, they murmur, rustle, whisper in their actions while they wait for Godot. Repetition of the dialogues conveys the forgetfulness of Vladimir and Estragon and their pointless lives. The extract begins with the characters speaking in ‘useless banter’ but as it nears towards the end of the extract, Vladimir and Estragon’s speech lessens and becomes quieter as they run out of things to say. This illustrates their life cycle, the beginning is a bustle of activity as they were younger and searching for a purpose and meaning for life, they did things like â€Å"pick grapes for a man† and go to â€Å"the Macon country†; but as they grow older, energy and enthusiasm decreases as they discover no purpose. Vladimir panics after the â€Å"Long silence†, because he doesn’t want to think of the reality of their situation; talking and actions distract their attention from reflection. Vladimir tells Estragon to â€Å"Say anything at all!† in â€Å"anguish†, he suffers a mental despair or distress if nothing is said or done because then he will apprehend the reality of their meaningless wait. It is as if their terrible actuality is in his subconscious mind which he keeps on pushing away. Estragon further confirms that the reason for their ‘useless banter’ is so they won’t â€Å"think†; language is utilized to neglect silence. To further emphasise their reiterated life, when they run out of things to say, they remind themselves of their purpose of their existence and the reason behind their endless wait which is to â€Å"Wait for Godot†.

Analysis of the Basketball Free Throw

Analysis of the Basketball Free Throw Analysis of the Basketball Free Throw Abstract The purpose of this paper is to analyze free throw shooting in basketball and to demonstrate the relationship between structural and functional anatomy and movement performance. This paper will discuss the muscles and actions that are important for the movement and how these muscles relate specifically to the movement outcome, limiting/facilitating joints and associated structures. Also discussed is the combination of muscle and joint motions important for movement success. We also briefly discuss the sources of movement failure. The final section of this paper will discuss how this movement is critical for success in sport and what happens with aging, disease, or injury that can compromise function and ability to perform the movement. Introduction The free throw shot is one the most important shots in basketball. In fact, around 20% of all points scored in the NCAA Division 1 are from free throws shots (Kozar, Vaughn, Lord, Whitfield, Dve 243-248). The importance of this shot increases later in the game, because free throws tend to comprise greater percentage of the points that are scored in the last 5 minutes than the initial 35 minutes by either the wining or the losing team (Kozar et al., 123-129). The free throw shot is considered as the easiest shot for a professional basketball player, as the player stands alone, 15 feet away from the hoop with no defense or distraction. The player needs to get ready target, prime the ball and shoot (Okubo Hubbard, 2006). A successful free throw shot requires deep concentration, and most importantly good mechanics to take a perfect shot. While a free throw shot does not seem like an action that needs a lot of movement, muscle groups and joints in a body work together in isotonic contractions, utilizing multiple muscle groups in creating the movement. A free throw shot engages elbow, hip and ankle extensors in addition to wrist and shoulder flexors. In the case of the knees, the joints are hinged and the movement starts with a flexion, preparing for the free throw. Quadriceps and hamstrings become the antagonist and the agonist. This movement happens as you utilize knee flexion so that the muscles work in pairs. Hamstring contraction pulls the joints which makes the individuals bend their knees. The next movement after the flexion is the knee extension. When the shooter releases the ball, the quadriceps is the agonist and the hamstring is the antagonist. The upper body sequence would be: extension of trunk, shoulder flexion that will follow extension of elbow and wrist flexion. A common error during the shot is perfor ming shoulder flexion and elbow extension at once, so that the elbow extension contributes less in taking the shot and is combined with the shoulder flexion rather than adding to the hand velocity. As the ball is brought up with use of both hands, it passes directly in the front of shooter’s eyes and the shot is aimed with the eyes underneath the basketball (Alexander 9). When the trunk moves from its flexed position to an extension, the upward movement of trunk would push down on the lumbar vertebrae, pushing down on the sacroiliac joints, which in turn will push down on the body’s hip joints. Knee joints respond to downward force transmitted by the hips by producing a greater knee flexion. Players who, for various reasons, do not have the needed trunk flexion in this stage of the free throw shot would decrease their ability to load their legs for the shot and consequently might end up losing full contribution of leg extension from the deeply flexed position to free throw. It has been suggested that trunk extension can help in triggering more forceful moment of knee extension. Additionally, a deeper trunk extension produces added hyperextension at the neck area helping the shooter to retain the focus on the rim (Oddsson 109-118). Following the release of the ball, the final phase of a shot, the follow through, occurs. During this time, all joints continue moving through the end of its full motion range following the release of the ball. In a skilled follow through, both legs fully extend and the toes points towards the floor. The trunk is aligned vertically with shooting hip, ankle and the knee. Additionally it aligns with the shooting arm’s joints, bringing the upper and lower extremities into harmony (Alexander, 16). The angle of the shooting shoulder should be somewhere between 140-150degrees of the shoulder flexion. Generally, the closer the shooting arm is to vertical, the greater the amount of vertical force that is applied to the shot. The trunk is often rotated away from shooting hand. This helps in lining up the shooting shoulder and the arm with the rim. This trunk rotation would happen at the moment the ball is released from the shooter’s hand (Alexander, 18). In cases when the ball gets released too late or too early, the ball’s velocity would not optimize as the elbow and wrist joints speed up or slow down rather than staying in the peak velocity. The wrist flexion provides the ultimate thrust for releasing the ball and helps in determining both the angle of projection and velocity of the ball (Martin 127-133).A common failure in free throw technique occurs when joint range of motion does not reach its end point and stops movement early, before the release of the shot, resulting in a decreased velocity of the basketball at the release. As far as joint movement pattern is concerned, there is not a huge difference between the success rate of the shot and the angle of the joint from where the ball is being shot. But, some dissimilarity can be found that could possibly determine the success of scoring a basket. One such dissimilarity is the joint’s peak angular velocity involved in the free throw. The knee, hip and the ankle joints have a higher peak angular velocity in comparison between successful and unsuccessful free throws. Distinctively, the angular velocity of the upper body joints during successful attempts have a lower peak angular velocity than that of missed shots. Additionally, proximal joints that are found closer to the hub and trunk of the body are utilized earlier than the distal joints more commonly associated with the free throw. In sum, movement and energy start from the core and work their way outward towards the distal extremities. Full range of elbow movement relates to greater success in free throw shots. However, it should be noted that this is also accompanied by a slight flexion in individual’s shooting elbow which occurs around mid-range and not at the full extension. By allowing the shooter’s wrist to remaining between full flexion and full extension during the release, maximum velocity can be achieved when the basketball is released (Alexander 10). Unsuccessful shots are often associated with periods of longer muscle activation. Measurement conducted with use electromyography suggests that muscle tension needs to be minimal at the release for successful free throw shooting. Shots that require the least amount of energy expended during the release are the easiest for controlling and have the highest probability for success (Huston Grau 49-64). In addition, height of release is also found to be crucial in success of the shot, as successful shots are related to height ratio that is calculate d by comparison of the shooter’s standing height to the shooter’s release height. The rule is: ‘The higher the release height, the better the shot’ (Hudson 242-251). There are some errors that turn out to be common in Free throw shooting for most individuals. One such reason is poor alignment that happens when shooters fail in lining up the shooting side knee, hip, shoulder and elbow with a line through the ball towards the basket. Another common reason is lack of backspin that happens when players apply side spin during the release or avoid any spin at the time of release. Having low arc on the shot makes players, who have insufficient shoulder trunk or elbow extension, flexion at the time of release making the ball release too flat. Relaxation of the shooting arm is needed at time of shot, with only active mover muscles needing to be contracted while complimentary muscles should be relaxed and loose. Full follow through is important as players need to finish their in the goose full-neck position of their shooting hand with arms pointing towards the ceiling and hands pointing at the basket. Some other reasons for failure are interference of non- shooting hand, shooting ball too hard, high tension on the shooting arm, taking off the shot angle and leaning at the time of release (Alexander 17-18). As mentioned in the introduction, free throw shot are considered as some of the easiest shots for a professional basketball player to make. However, a decline in performance is witnessed in the free throw attempts of basketball athletes in their post-injury and aging days. This drop-off in free throw attempt numbers is also demonstrated in abysmal shot rates, plummeting usage rates and inability to create their own offense. Taken as a whole there is an expected and obvious drop in the efficiency of almost all athletes as they get grow old and start sustaining injuries. The reason behind this is simple physiology, as the body starts aging the ligaments and tendons start losing water, making them less elastic and more fragile. Knee troubles are common trouble for most experienced and newly retired basketball players as with age knee troubles start to disturb athletes (Wagner). Conclusion Every muscle in human body comprises of a network of fibers that are responsible for certain types of movements. When a human body engages in playing a game like basketball, these muscle fibers start to make the movements in conjunction with directions from your brain. This is seen functions like dribbling, running, passing, catching, rebounding, dunking and of course hitting free throws. The actions taken causes muscle contractions, that is, specific movement to lengthen, shorten and stay the same. While the free throw shot does not seem like an action that needs a lot of movement, muscle groups and joints in the body work together in isotonic contractions, creating the movement and allowing the body to perform even the most routine and fundamental actions. Works Cited Kozar, B., Vaughn, R. E., Lord, R. H., Whitfield, K. E. Basketball free-throw performance: practice implications. Journal of Sport Behavior. 18.2 (1995): 123-129. Kozar, B., Vaughn, R. E., Lord, R. H., Whitfield, K. E., Dve, B. â€Å"Importance of free throws at various stages of basketball games†. Perceptual and Motor Skills. 78.1 (1994): 243-248. Okubo, H., Hubbard, M. (2006). Dynamics of the basketball shot with application to the free throw. Journal of Sport Sciences, 24(12), 1303-1314. Alexander, M. Mechanics of the Basketball Free Throw. University of Manitoba. umanitoba.ca, n.d. Web. 10 Mar. 2014. Hess, C. â€Å"Analysis of the jump shot†. Athletic Journal, 61.3 (1980): 30-32. Martin, T. P. â€Å"Movement analysis applied to the basketball jump shot†. Physical Educator, 38.3 (1981): 127-133. Huston, R. L., Grau, C. A. â€Å"Basketball shooting strategies- the free throw, direct shot and layup†. Sports Engineering. 6.1 (2003): 49-64. Oddsson, L. â€Å"Co-ordination of a simple voluntary multi-joint movement with postural demands: trunk extension in standing man†. Acta Physiol Scand. 134.1 (1988): 109-118. Hudson, J. L. â€Å"Coordination of segments in the vertical jump†. Medicine and Science in Sports and Exercise, 18.2 (1986): 242-251. Wagner, K. â€Å"How An Achilles Tear Affects NBA Players (Or, Why Kobe Is Screwed)†. Regressing. regressing.deadspin.com. 15 Apr 2013. Web. 10 Mar 2014.

Franz Kafkas The Metamorphosis :: Metamorphosis essays

The Metamorphosis The Metamorphosis is the story of a commercial traveler, Gregor Samsa, that one morning awoke turned into a gigantic insect. It is no dream but, simply and plainly, a real metamorphosis with no rhetoric in between. Facing this incredible fact, Kafka does not do any realistic concessions and keeps the new condition of the character to the end. That makes of The metamorphosis a hard work of fiction, in the way of Odyssey (with which, besides, it is closely related) or in the way of the Medieval fairy tales, specially those in which the wicked witch turns The Prince Charming into a hideous animal. >From the other side, the work, that belongs to a trilogy about marriage in relation to the individual, the family and the so-ciety written by Kafka, has a highly autobiographical contain. In The Judgment the subject is the engagement assumed as a treason to the literary calling; in The metamorphosis there is a view of marriage and family relations from a masochistic and incestuous perspective; in The Trial, it is the settlement of accounts, related with the incapacity of accomplishing the acquired compro-mises, according to an unwritten law, he must pay. In the three cases, the story ends with the protagonist's death. The Metamorphosis is built on a fiction level with two faces, Crime and Punishment by Dostoevsky and Venus in Furs by Leopold von Sacher-Masoch, superposed in a way they get in contact with a real level with two faces too, the family relations and his dreams of Felice. By the merging of theses two levels, Kafka gets a fantastic reality which allows him to express his deepest dreams and desires in relation with marriage and sex in a poetic language that turns The Metamorphosis into a classic of erotism, aspect not considered until now. (Such a pleiad, Kafka, Sacher- Masoch and Dostoesky, met in The Metamorphosis turns into a height of masochism this work). PART ONE The Metamorphosis has three parts: the first one describes both the transformation of Gregory and his family's reaction to this respect; the second part shows the new cotidianity of the fami-liar group whose fragile estability crush with Gregory and sis-ter's bringing face to face; and the last part, where we attend Gregory's frustrated attemp of reconquering his sister, ends with his death. The foreground onto which Kafka builds his work is Dostoevsky's novel. This one brings to him a textual base that he lightly, mainly through substitutions, varies for adapting it to the intentions of his own story. For the first part of The Meta-morphosis, Kafka takes three

A Father Does Not Always Know Best :: Free Essay Writer

The Adventures of Huckleberry Finn by Mark Twain brilliantly illustrates a boy's travels down the Mississippi and the trials and tribulations that occur as a result. Having a runaway slave as a companion and being set in the South during slavery only forebodes trouble. The many characters and stunts that Huck's pulls provides for an interesting depiction of a young man's venture down a river. Huck lives in a small town and has only one drunken parent, which supplies Huck with many problems. His biological father, Pap, wanders from town to town, begging for money and drinking; and every once in a while pops back into Huck's life to beg money and to scold his son for going to school and becoming ‘sivilized’. However, there is also another male figure that acts as a father to young Huck. Miss Watson's slave Jim travels along with Huck and befriends the boy. Because Jim is a role model and mentor to the young Huck, he is more of a father figure than his biological father. Jim also teaches him principles directly through their conversations and debates. "Jim said he reckoned that the widow was partly right and that Pap was partly right, so the best way would be or us to pick two or three things from the list and say we wouldn't borrow them anymore† (Twain, 49). Jim taught Huck how to combine what he had been taught so far and how to rationalize. He also taught Huck little fables and old wives tales such as the 'bad luck if ya touch a rattlesnake' and 'a hairy breast mean ya gonna be rich sumday...(Twain, 40, 34) "Jim says you mustn't catch a bird cause it's death and you mustn’t count the thing you're ganna cook for dinner cause it's bad luck" (Twain, 34) Jim teaches him both lessons that are essential to life and ones that are amusing and make life interesting. Fathers satisfy the needs of their sons. Jim satisfied Huck’s need for exploration and his quest for knowledge and also satisfied his need for pleasure and en joyment. A father teaches his son lessons. Jim taught Huck many lessons both unintentionally and directly. Jim shows Huck that slaves are human people. Huck learns that slaves are capable of human emotions such as love and compassion because Jim talked of buying his wife out of slavery and stealing his children out of bondage.

Food and Agriculture in Mauritius Essay

Traditional Foods Are: Foods in their original form, as they were Created– not modernized, not processed or not packaged. They may be Foods that have a long history of supporting to good health, whole and nutrient-dense. Foods that are simple and basic: meat and poultry, eggs, whole grains, fish, beans and legumes, vegetables, fruit, nuts and seeds, dairy, fats. The cuisine of Mauritius is a blend of Creole, Chinese, European and Indian influences. It is common for a combination of cuisines to form part of the same meal. Mauritius has had strong ties with French culture throughout its history and was left with a very French â€Å"savoir vivre†. Even today, the popularity of French dishes like the bouillon, tuna salad,daube, show the prevalence of French culture in Mauritius. As years passed by, some have been adapted to the more exotic ingredients of the island to confer some unique flavor. During the 19th century, after the abolition of slavery, Indian workers who migrated to Mauritius brought their cuisine with them. Those indentured labourers came with their own culinary tradition, depending on the region. Traces of both Northern and Southern Indian cuisine can be found in Mauritius. Some common preparations are curry, chutney, rougaille(tomato paste that is very popular with fish) and pickles, most of which use local ingredients. The Mauritian versions of those dishes have a local flavour and differ, at times considerably, from the original Indian recipes. The end of the 19th century saw the arrival of Chinese migrants, who came mostly from the south-eastern part of China. They are largely credited with making rice, the staple diet of the island, and making noodles, both steamed and fried, popular. Chinese appetizers such as hakien (local version of the spring roll with a flour batter replacing the traditional rolled wrapping), crispy chicken and crispy squid have become part of the Mauritian folklore. Furthermore, Chinese and other Asian restaurants are present all around the island, and offer a variety of chicken, squid, beef, mutton andfish dishes, most typically prepared in black bean sauce or oyster sauce. Mauritian families often consider a dinner at an Asian restaurant as a treat. Along the years, each of the country’s communities have adapted and mixed each other’s cuisine to their liking. Mauritian ‘street food’: For most Mauritians, daily practice is to eat during the daytime on the street sides, street stalls or in small local restaurants. This is a recommended way for the tourist to discover the local traditional food, enjoying the tastes of Mauritius and do so at cheap prices. Very popular common â€Å"street food† is the Indian specialties of â€Å"dholl puries† or â€Å"rotis†. In the big cities you will also find many stalls offering Chinese noodles. You will also find the gato piment, samousas, kebabs, bryanis. There’s also the fruit saladwhich which consists of cucumber, pineapple, apple, tamarind and chilli sauce. And also coconut water that tourists like drinking. These usuallyfound on the beaches. But The hygiene in many of the stalls may be below average and may cause problems to those with a sensitive stomach, so when choosing the street stalls be sure that the place is hygiene and the food is fresh and not exposed to the sun. Fast foods in mauritius: Another alternative is to go to one of the many fast food joints which can be found in every town and in the main villages. The number of the fast food joints has increased drastically in the last few years, and today it is possible to find many international fast food chains such as: McDonalds, KFC, Burger king, Pizza Hut, next to local fast food brands. You can find fast food serving hamburgers, pizzas, Indian food, chicken, and many more. Additional rather cheap alternative to dine out is the Chinese restaurants. These restaurants can be found in all the tourist’s areas and also in the city centers. You can find there delicious Chinese and Creole food, including also alcoholic drinks at rather low prices in comparison to other restaurants. Mauritius Restaurants and hotels There are many beach restaurants, village restaurants and many modern style restaurants in the main tourist’s areas and in the city centers offering selection of specific cuisines: Italian, Chinese, French, Japanese, Mexican, Mediterranean etc, and restaurants focusing on specific food types (seafood, teak and grill, vegetarian etc). Today in the hotels and also in the tourists centers, it is possible to find a big selection of restaurants which offer an extensive range of different cuisines. : types of religious food: Food is an important part of religious observance and spiritual ritual for many faiths including Christianity, Judaism, Islam, Hinduism and Buddhism. The role of food in cultural practices and religious beliefs is complex and varies among individuals and communities. Mauritius is one of the rare countries that is made up of the different traditions and customs of those who have settled on this remote island during the last 400 years. The unique blend of European, Indian, Chinese, African and Arab culture is evident in all aspects of Mauritian life: there are fesitvals like chineese festivals where: eid-dul-fitr bryani is commonly cooked, during easter chocolate is mostly eaten. On ougadi a special chutney is prepared which consists 6 different tastes and each ingredient represent (sadness, happiness, anger, fear, disgust and surprise). The different tastes, symbolises the fact that life is a mixture of different experiences. Cavadee lemon juice is prepared. Agriculture in mauritius: The production of rum is common throughout the island. [citation needed] Sugar cane was first introduced on the island when the Dutch colonised it in 1638. Even then, the propensity of making rum out of sugar cane was strongly recognised. Sugar cane was mainly cultivated for the production of â€Å"arrack†, a precursor to rum. Only much later, after almost 60 years, the first proper sugar was produced. citation needed] However, it was during the French and English administration that sugar production was fully exploited, which considerably contributed to the economical development of the island. [citation needed]It was Pierre Charles Francois Harel who in 1850 initially proposed the concept of local distillation of rum in Mauritius. Agriculture today: The agricultural sector in Mauritius is very much dominated by sugar. Ever since The cultivation of sugar was introduced by the Dutch in the 17th century, sugar and agriculture have been the backbone of the economy. Even today, in spite of tremendous efforts in industrialising and diversifying the economy, sugar remains an essential component. Though in terms of foreign earnings, it has been overtaken by both the export of wearing apparel and tourism, in terms of plus value and employment it is of the greatest importance. The importance of sugar and other agricultural activities to the island can be gauged by the simple fact that around 45% of the island is covered with sugarcane fields and about 4% is for other diverse agricultural activities. In the 60’s there were about 25 sugar factories, by 1990 it had dropped to 19, in 1995 there were 17 left and in 2001 there were only 16 still operating. But today it has been centralised. That is there is only four sugar factories;one in the north south east and west on the island. The vegetable crops that produced in Mauritius are , maize, onion, garlic, potato, tomatoes, carrots,chiles, green leafy vegetables, egg plants. There are also herbs like thym, mint, parsely and corriander. the local fruits that are produced are pineapple, letchis, mangoes, papaya, goyavas . hese fuits and vegetable are mostly sold freshly in the market but those that are sold in the hypermarket maynot be fresh at times. Some people in mauritius prefer growing vegetables for their own consuption and this can help them to save and also assure them that the vegetables are fresh. The factors that affect the crops is mostly the weather. The fruits and vegetable can be sold at cheaper prices if they are in season. But it become rather expensive when the crops have been badly affected by acyclone or when it is off season.